{"id":2082,"date":"2020-11-02T08:43:58","date_gmt":"2020-11-02T01:43:58","guid":{"rendered":"https:\/\/ambhanoi.esteri.it\/news\/dall_ambasciata\/2020\/11\/italian-design-day-4th-edition-2\/"},"modified":"2020-11-02T08:43:58","modified_gmt":"2020-11-02T01:43:58","slug":"italian-design-day-4th-edition-2","status":"publish","type":"post","link":"https:\/\/ambhanoi.esteri.it\/vi\/news\/dall_ambasciata\/2020\/11\/italian-design-day-4th-edition-2\/","title":{"rendered":"S\u1ef1 ki\u1ec7n \u201cItalian Design Day\u201d l\u1ea7n th\u1ee9 4 – V\u1ebd n\u00ean t\u01b0\u01a1ng lai. Ph\u00e1t tri\u1ec3n, S\u00e1ng t\u1ea1o, B\u1ec1n v\u1eefng, V\u1ebb \u0111\u1eb9p"},"content":{"rendered":"

Ng\u00e0y 5.11.2020, chu\u1ed7i s\u1ef1 ki\u1ec7n “Italian Design Day\u00a0– Ng\u00e0y thi\u1ebft k\u1ebf \u00dd”<\/strong> l\u1ea7n th\u1ee9 4 s\u1ebd ch\u00ednh th\u1ee9c khai m\u1ea1c t\u1ea1i Vi\u1ec7t Nam. Ch\u1ee7 \u0111\u1ec1 c\u1ee7a s\u1ef1 ki\u1ec7n n\u0103m nay l\u00e0 “V\u1ebd n\u00ean t\u01b0\u01a1ng lai. Ph\u00e1t tri\u1ec3n, S\u00e1ng t\u1ea1o, B\u1ec1n v\u1eefng, V\u1ebb \u0111\u1eb9p”.<\/p>\n

K\u1ec3 t\u1eeb n\u0103m 2017, s\u00e1ng ki\u1ebfn “Italian Design Day\u00a0– Ng\u00e0y Thi\u1ebft k\u1ebf \u00dd” c\u1ee7a B\u1ed9 Ngo\u1ea1i giao v\u00e0 H\u1ee3p t\u00e1c qu\u1ed1c t\u1ebf Italia c\u00f9ng Fondazione Compasso d’Oro v\u00e0 The Triennale di Milano \u0111\u00e3 \u0111\u01b0\u1ee3c \u0111\u00f3n ch\u00e0o n\u1ed3ng nhi\u1ec7t t\u1ea1i r\u1ea5t nhi\u1ec1u qu\u1ed1c gia tr\u00ean th\u1ebf gi\u1edbi, trong \u0111\u00f3 c\u00f3 Vi\u1ec7t Nam. M\u1ed7i n\u0103m, 100 \u0111\u1ea1i s\u1ee9 v\u0103n h\u00f3a \u00dd t\u1ea1i 100 th\u00e0nh ph\u1ed1 s\u1ebd chia s\u1ebb, trao \u0111\u1ed5i v\u00e0 c\u00f9ng nh\u1eefng ng\u01b0\u1eddi y\u00eau ngh\u1ec7 thu\u1eadt, nh\u1eefng nh\u00e0 thi\u1ebft k\u1ebf, c\u00e1c ki\u1ebfn tr\u00fac s\u01b0 v\u00e0 nh\u1eefng nh\u00e0 ho\u1ea1ch \u0111\u1ecbnh c\u1ea3nh quan, ph\u00e1t tri\u1ec3n \u0111\u00f4 th\u1ecb t\u1ea1i c\u00e1c qu\u1ed1c gia t\u00ecm ra c\u00e2u tr\u1ea3 l\u1eddi cho nh\u1eefng c\u00e2u h\u1ecfi mang t\u00ednh th\u1eddi \u0111\u1ea1i v\u1ec1 h\u00ecnh m\u1eabu th\u1ebf gi\u1edbi trong t\u01b0\u01a1ng lai, s\u1ef1 ph\u00e1t tri\u1ec3n b\u1ec1n v\u1eefng c\u0169ng nh\u01b0 l\u01b0u gi\u1eef v\u1ebb \u0111\u1eb9p v\u0129nh c\u1eedu. \u0110\u00e2y \u0111\u1ed3ng th\u1eddi l\u00e0 chu\u1ed7i ho\u1ea1t \u0111\u1ed9ng \u00fd ngh\u0129a m\u1edf ra c\u01a1 h\u1ed9i h\u1ee3p t\u00e1c trong l\u0129nh v\u1ef1c thi\u1ebft k\u1ebf, c\u0169ng nh\u01b0 tr\u00ecnh di\u1ec5n nh\u1eefng s\u1ea3n ph\u1ea9m \u0111\u1eb7c tr\u01b0ng c\u1ee7a n\u1ec1n c\u00f4ng nghi\u1ec7p thi\u1ebft k\u1ebf Italia.<\/p>\n

Chu\u1ed7i s\u1ef1 ki\u1ec7n n\u0103m nay \u0111\u01b0\u1ee3c b\u1eaft \u0111\u1ea7u b\u1eb1ng cu\u1ed9c tri\u1ec3n l\u00e3m tr\u01b0ng b\u00e0y c\u00e1c b\u1ea3n ph\u00e1c th\u1ea3o nh\u1eefng thi\u1ebft k\u1ebf n\u1ed5i ti\u1ebfng c\u1ee7a ki\u1ebfn tr\u00fac s\u01b0, nh\u00e0 thi\u1ebft k\u1ebf Vico Magistretti\u00a0<\/strong>– m\u1ed9t trong nh\u1eefng ng\u01b0\u1eddi \u0111\u1eb7t n\u1ec1n m\u00f3ng cho ng\u00e0nh thi\u1ebft k\u1ebf c\u00f4ng nghi\u1ec7p Italia. Tri\u1ec3n l\u00e3m di\u1ec5n ra t\u1ea1i 4 tr\u01b0\u1eddng \u0110\u1ea1i h\u1ecdc tr\u00ean c\u1ea3 n\u01b0\u1edbc: \u0110\u1ea1i h\u1ecdc Mi\u1ec1n Trung (Tuy H\u00f2a), \u0110\u1ea1i h\u1ecdc X\u00e2y d\u1ef1ng (H\u00e0 N\u1ed9i), \u0110\u1ea1i h\u1ecdc V\u0103n Lang v\u00e0 \u0110\u1ea1i h\u1ecdc Hoa sen (TP.HCM) k\u00e9o d\u00e0i trong th\u00e1ng 10 v\u00e0 th\u00e1ng 11 n\u0103m 2020.<\/p>\n

T\u1ea1i s\u1ef1 ki\u1ec7n n\u0103m nay, c\u00f4ng ch\u00fang y\u00eau ngh\u1ec7 thu\u1eadt Vi\u1ec7t Nam c\u00f3 th\u1ec3 th\u01b0\u1edfng th\u1ee9c nh\u1eefng bu\u1ed5i tri\u1ec3n l\u00e3m, n\u01a1i k\u1ec3 l\u1ea1i c\u00e2u chuy\u1ec7n v\u1ec1 c\u1ea3m h\u1ee9ng mang s\u00e1ng t\u1ea1o v\u00e0o cu\u1ed9c s\u1ed1ng c\u1ee7a ng\u01b0\u1eddi \u00dd, \u0111\u1ed3ng th\u1eddi c\u00e1c bu\u1ed5i t\u1ecda \u0111\u00e0m tr\u1ef1c ti\u1ebfp v\u00e0 online l\u00e0 cu\u1ed9c \u0111\u1ed1i tho\u1ea1i gi\u1eefa nh\u1eefng h\u1ecdc gi\u1ea3 \u00dd v\u00e0 Vi\u1ec7t Nam trong \u0111\u00f3 nh\u1ea5n m\u1ea1nh vai tr\u00f2 c\u1ee7a nh\u1eefng gi\u1ea3i ph\u00e1p thi\u1ebft k\u1ebf \u0111\u1ed1i v\u1edbi s\u1ef1 ph\u00e1t tri\u1ec3n b\u1ec1n v\u1eefng trong ki\u1ebfn tr\u00fac hi\u1ec7n \u0111\u1ea1i.<\/p>\n

Bu\u1ed5i T\u1ecda \u0111\u00e0m di\u1ec5n ra v\u00e0o ng\u00e0y 5\/11\/2020<\/strong> \u0111\u1ed3ng th\u1eddi \u1edf 4 th\u00e0nh ph\u1ed1: H\u00e0 N\u1ed9i, Tuy H\u00f2a, TP.HCM v\u00e0 v\u0103n ph\u00f2ng thi\u1ebft k\u1ebf ARCHEA Studio (Florence, \u00dd); v\u1edbi s\u1ef1 tham gia c\u1ee7a Ng\u00e0i Antonio Alessandro – \u0110\u1ea1i s\u1ee9 \u00dd t\u1ea1i Vi\u1ec7t Nam, Ng\u00e0i Dante Brandi\u00a0– T\u1ed5ng l\u00e3nh s\u1ef1 \u00dd t\u1ea1i TP.HCM, Gi\u00e1o s\u01b0, Ki\u1ebfn tr\u00fac s\u01b0 Marco Casamonti\u00a0– \u0110\u1ea1i s\u1ee9 c\u1ee7a “Ng\u00e0y thi\u1ebft k\u1ebf \u00dd l\u1ea7n th\u1ee9 4” tham gia tr\u1ef1c tuy\u1ebfn t\u1eeb Florence, \u0111\u1ea1i di\u1ec7n khoa Ki\u1ebfn tr\u00fac t\u1ea1i \u0110\u1ea1i h\u1ecdc X\u00e2y d\u1ef1ng Mi\u1ec1n Trung, \u0110\u1ea1i h\u1ecdc X\u00e2y d\u1ef1ng H\u00e0 N\u1ed9i, \u0110\u1ea1i h\u1ecdc Hoa Sen v\u00e0 \u0110\u1ea1i h\u1ecdc RMIT c\u00f9ng r\u1ea5t nhi\u1ec1u ki\u1ebfn tr\u00fac s\u01b0, nh\u00e0 thi\u1ebft k\u1ebf, nh\u1eefng ng\u01b0\u1eddi ho\u1ea1t \u0111\u1ed9ng trong l\u0129nh v\u1ef1c ngh\u1ec7 thu\u1eadt, thi\u1ebft k\u1ebf n\u1ed9i th\u1ea5t t\u1ea1i Vi\u1ec7t Nam d\u01b0\u1edbi s\u1ef1 ch\u1ee7 tr\u00ec c\u1ee7a \u0110\u1ea1i di\u1ec7n c\u1ee7a H\u1ed9i Ki\u1ebfn tr\u00fac s\u01b0 Vi\u1ec7t Nam. C\u00e1c tr\u01b0\u1eddng \u0110\u1ea1i h\u1ecdc c\u1ee7a Vi\u1ec7t Nam v\u00e0 \u00dd c\u0169ng tham gia t\u1ecda \u0111\u00e0m d\u01b0\u1edbi h\u00ecnh th\u1ee9c tr\u1ef1c tuy\u1ebfn.<\/p>\n

GI\u00c1O S\u01af, KI\u1ebeN TR\u00daC S\u01af MARCO CASAMONTI \u2013 \u0110\u1ea0I S\u1ee8 C\u1ee6A NG\u00c0Y THI\u1ebeT K\u1ebe \u00dd L\u1ea6N TH\u1ee8 4 T\u1ea0I VI\u1ec6T NAM<\/strong><\/p>\n

Marco Casamonti t\u1ed1t nghi\u1ec7p n\u0103m 1990 t\u1ea1i \u0110\u1ea1i h\u1ecdc Florence v\u00e0 v\u00e0o n\u0103m 2001, tr\u1edf th\u00e0nh Gi\u00e1o s\u01b0 m\u00f4n Thi\u1ebft k\u1ebf Ki\u1ebfn tr\u00fac v\u00e0 \u0110\u00f4 th\u1ecb t\u1ea1i Khoa Ki\u1ebfn tr\u00fac c\u1ee7a \u0110\u1ea1i h\u1ecdc Genoa. \u00d4ng \u0111\u00e3 th\u1ef1c hi\u1ec7n nhi\u1ec1u nghi\u00ean c\u1ee9u chuy\u00ean s\u00e2u v\u1ec1 ph\u1ea3n \u00e1nh s\u00e2u s\u1eafc v\u00e0 ph\u00ea b\u00ecnh v\u1ec1 c\u00e1c ch\u1ee7 \u0111\u1ec1 ki\u1ebfn tr\u00fac, xu\u1ea5t b\u1ea3n c\u00e1c b\u00e0i lu\u1eadn v\u00e0 t\u00e1c ph\u1ea9m v\u00e0 th\u00f4ng qua c\u00e1c b\u00e0i gi\u1ea3ng v\u00e0 h\u1ed9i ngh\u1ecb. K\u1ec3 t\u1eeb n\u0103m 1997, \u00f4ng l\u00e0 t\u1ed5ng bi\u00ean t\u1eadp c\u1ee7a AREA, m\u1ed9t t\u1ea1p ch\u00ed qu\u1ed1c t\u1ebf v\u1ec1 Ki\u1ebfn tr\u00fac v\u00e0 Thi\u1ebft k\u1ebf do T\u1eadp \u0111o\u00e0n Tecniche Nuove xu\u1ea5t b\u1ea3n. N\u0103m 1988, \u00f4ng th\u00e0nh l\u1eadp Studio Archea c\u00f9ng v\u1edbi KTS. Laura Andreini v\u00e0 KTS. Giovanni Polazzi, v\u00e0o n\u0103m 2001 c\u00f3 s\u1ef1 gia nh\u1eadp c\u1ee7a KTS. Silvia Fabi.<\/p>\n

Ng\u00e0y nay, Archea Associati l\u00e0 m\u1ed9t c\u00f4ng ty ki\u1ebfn tr\u00fac v\u00e0 thi\u1ebft k\u1ebf v\u1edbi h\u01a1n 120 ki\u1ebfn tr\u00fac s\u01b0 l\u00e0m vi\u1ec7c t\u1ea1i c\u00e1c v\u0103n ph\u00f2ng \u1edf Florence, Rome v\u00e0 Milan. N\u0103m 200, KTS. Silvia Fabi gia nh\u1eadp v\u00e0o h\u1ed9i \u0111\u1ed3ng s\u00e1ng l\u1eadp v\u00e0 tr\u1edf th\u00e0nh ng\u01b0\u1eddi \u0111i\u1ec1u ph\u1ed1i c\u00e1c ho\u1ea1t \u0111\u1ed9ng thi\u1ebft k\u1ebf. Ngo\u00e0i ra, c\u00f9ng v\u1edbi c\u00e1c chi nh\u00e1nh t\u1ea1i B\u1eafc Kinh, Dubai v\u00e0 San Paolo, Archea cho \u0111\u1ebfn nay \u0111\u00e3 c\u00f3 nhi\u1ec1u c\u00f4ng tr\u00ecnh v\u1ec1 trong l\u0129nh v\u1ef1c Ki\u1ebfn tr\u00fac, Thi\u1ebft k\u1ebf, Thi\u1ebft k\u1ebf n\u1ed9i th\u1ea5t v\u00e0 Thi\u1ebft k\u1ebf \u0110\u1ed3 h\u1ecda tr\u00ean to\u00e0n th\u1ebf gi\u1edbi. C\u00e1c m\u1ed1i quan t\u00e2m v\u00e0 ho\u1ea1t \u0111\u1ed9ng nghi\u00ean c\u1ee9u c\u1ee7a c\u00f4ng ty \u0111a d\u1ea1ng t\u1eeb c\u1ea3nh quan \u0111\u1ebfn th\u00e0nh ph\u1ed1, t\u1eeb c\u00e1c t\u00f2a nh\u00e0 \u0111\u1ebfn thi\u1ebft k\u1ebf. D\u00f9 tr\u1ecdng t\u00e2m l\u00e0 ki\u1ebfn tr\u00fac nh\u01b0ng c\u00e1c d\u1ef1 \u00e1n lu\u00f4n \u0111a d\u1ea1ng t\u1eeb thi\u1ebft k\u1ebf \u0111\u1ed3 h\u1ecda \u0111\u1ebfn xu\u1ea5t b\u1ea3n, t\u1eeb tri\u1ec3n l\u00e3m \u0111\u1ebfn nghi\u00ean c\u1ee9u \u1ee9ng d\u1ee5ng. S\u1ef1 b\u1ed5 sung c\u1ee7a c\u00e1c ho\u1ea1t \u0111\u1ed9ng kh\u00e1c nhau t\u1eadp trung v\u00e0o qu\u00e1 tr\u00ecnh thi\u1ebft k\u1ebf li\u00ean quan \u0111\u1ebfn c\u00e1c quy m\u00f4 d\u1ef1 \u00e1n kh\u00e1c nhau m\u1edf ra m\u1ed9t ph\u1ea3n \u00e1nh quan tr\u1ecdng li\u00ean t\u1ee5c v\u1ec1 c\u00e1c v\u1ea5n \u0111\u1ec1 x\u00e2y d\u1ef1ng ki\u1ebfn tr\u00fac. V\u1edbi kinh nghi\u1ec7m th\u1ef1c hi\u1ec7n nhi\u1ec1u d\u1ef1 \u00e1n v\u1edbi quy m\u00f4 v\u00e0 l\u0129nh v\u1ef1c \u0111a d\u1ea1ng \u0111\u00e3 gi\u00fap c\u00f4ng ty kh\u00f4ng ng\u1eebng n\u00e2ng cao n\u0103ng l\u1ef1c v\u00e0 t\u01b0 duy thi\u1ebft k\u1ebf.<\/p>\n

Trong nh\u1eefng n\u0103m qua, c\u00f4ng ty \u0111\u00e3 \u0111\u01b0\u1ee3c m\u1eddi tham d\u1ef1 c\u00e1c cu\u1ed9c thi trong v\u00e0 ngo\u00e0i n\u01b0\u1edbc c\u00f3 uy t\u00edn v\u00e0 \u0111\u00e3 gi\u00e0nh \u0111\u01b0\u1ee3c nhi\u1ec1u gi\u1ea3i th\u01b0\u1edfng qu\u1ed1c t\u1ebf quan tr\u1ecdng. C\u00e1c c\u00f4ng tr\u00ecnh c\u1ee7a c\u00f4ng ty \u0111\u00e3 \u0111\u01b0\u1ee3c m\u1eddi tham d\u1ef1 nhi\u1ec1u l\u1ea7n t\u1ea1i Tri\u1ec5n l\u00e3m qu\u1ed1c t\u1ebf Ki\u1ebfn tr\u00fac hai n\u0103m m\u1ed9t l\u1ea7n t\u1ea1i Venice – Venice Biennale of Architecture. N\u0103m 2017, c\u00f4ng ty \u0111\u00e3 gi\u00e0nh chi\u1ebfn th\u1eafng trong cu\u1ed9c thi qu\u1ed1c t\u1ebf thi\u1ebft k\u1ebf Trung t\u00e2m Ch\u0103m s\u00f3c s\u1ee9c kh\u1ecfe \u1edf Ponte di Legno (\u00dd) do CIT t\u1ed5 ch\u1ee9c v\u00e0 qu\u1ea3ng b\u00e1. Trong s\u1ed1 c\u00e1c gi\u1ea3i th\u01b0\u1edfng quan tr\u1ecdng g\u1ea7n \u0111\u00e2y nh\u1ea5t, c\u00f4ng ty \u0111\u00e3 gi\u00e0nh gi\u1ea3i th\u01b0\u1edfng Ki\u1ebfn tr\u00fac BigSEE 2020 cho S\u00e2n v\u1eadn \u0111\u1ed9ng Qu\u1ed1c gia c\u1ee7a Albania \u1edf Tirana v\u00e0 chi\u1ebfn th\u1eafng trong cu\u1ed9c thi qu\u1ed1c t\u1ebf v\u1ec1 Quy ho\u1ea1ch \u0111\u00f4 th\u1ecb v\u00e0 ki\u1ebfn tr\u00fac c\u1ee7a v\u00f9ng Rublyovo-Arkhangelsky, m\u1ed9t khu \u0111\u00f4 th\u1ecb m\u1edf r\u1ed9ng m\u1edbi c\u00e1ch Matxcova 70 km, c\u00f9ng v\u1edbi c\u00f4ng ty ki\u1ebfn tr\u00fac Nikken Sekkei (Nh\u1eadt B\u1ea3n) v\u00e0 Zaha Hadid Architects (Anh).<\/p>\n

C\u00e1c c\u00f4ng tr\u00ecnh ti\u00eau bi\u1ec3u c\u1ee7a Archea Associati c\u00f3 th\u1ec3 k\u1ec3 \u0111\u1ebfn: Th\u01b0 vi\u1ec7n C\u00f4ng c\u1ed9ng \u1edf Nembro (Bergamo), m\u1edf r\u1ed9ng v\u00e0 c\u1ea3i t\u1ea1o tr\u1ee5 s\u1edf c\u00f4ng ty Perfetti Van Melle \u1edf Lainate g\u1ea7n Milan, Nh\u00e0 m\u00e1y r\u01b0\u1ee3u Antinori \u1edf San Casciano Val di Pesa (Florence), Yanqing Expo v\u1ec1 Nho \u1edf B\u1eafc Kinh, Th\u00e0nh ph\u1ed1 G\u1ed1m ngh\u1ec7 thu\u1eadt Li Ling \u1edf Trung Qu\u1ed1c, Khu chung c\u01b0 Colle Loreto \u1edf Lugano (Th\u1ee5y S\u0129) v\u00e0 C\u1ea3i t\u1ea1o – chuy\u1ec3n \u0111\u1ed5i kho tr\u1eef r\u01b0\u1ee3u tr\u01b0\u1edbc \u0111\u00e2y \u1edf Trieste th\u00e0nh tr\u1ee5 s\u1edf Eataly, C\u1ea3i t\u1ea1o v\u00e0 t\u00e2n trang Ch\u1ee3 trung t\u00e2m La Valletta \u1edf Malta v\u00e0 Khu m\u1edf r\u1ed9ng s\u1ea3n xu\u1ea5t c\u1ee7a th\u01b0\u01a1ng hi\u1ec7u th\u1eddi trang qu\u1ed1c t\u1ebf Salvatore Ferragamo \u1edf Florence. C\u00e1c d\u1ef1 \u00e1n \u0111ang thi c\u00f4ng l\u00e0 Th\u00e1p Forevregreen \u1edf Tirana, Albania; Nh\u00e0 m\u00e1y r\u01b0\u1ee3u Changri-La \u1edf Penglai (Trung Qu\u1ed1c), C\u1ea3i t\u1ea1o Piazza a Mare \u1edf Durres (Albania), Khu d\u00e2n c\u01b0 ph\u1ee9c h\u1ee3p San Donato v\u00e0 Ph\u1ee5c h\u1ed3i – chuy\u1ec3n \u0111\u1ed5i R\u1ea1p chi\u1ebfu phim Astra 2 \u0111\u1ec1u \u1edf Florence. D\u1ef1 \u00e1n quan tr\u1ecdng v\u1eeba \u0111\u01b0\u1ee3c kh\u00e1nh th\u00e0nh v\u00e0o th\u00e1ng 11 n\u0103m 2019 l\u00e0 S\u00e2n v\u1eadn \u0111\u1ed9ng Qu\u1ed1c gia c\u1ee7a Albania \u1edf Tirana.<\/p>\n

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Th\u00f4ng tin th\u00eam v\u1ec1 Marco Casamonti<\/strong>, \u0110\u1ea1i s\u1ee9 c\u1ee7a \u201cItalian Design Day 2020\u201d t\u1ea1i Vi\u1ec7t Nam c\u00f3 t\u1ea1i ebook \u201cDrawing the Future\u201d<\/a> (V\u1ebd n\u00ean T\u01b0\u01a1ng lai), trang 46.<\/p>\n

\u0110\u1ec3 bi\u1ebft th\u00eam th\u00f4ng tin, h\u00e3y xem: https:\/\/www.youtube.com\/watch?v=ECYVJ89MwhU<\/a><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 **********<\/p>\n

\u0110\u1ec3 bi\u1ebft th\u00eam th\u00f4ng tin, h\u00e3y xem: www.italiandesignday.it<\/a><\/p>\n

\u00a0<\/p>\n","protected":false},"excerpt":{"rendered":"Ng\u00e0y 5.11.2020, chu\u1ed7i s\u1ef1 ki\u1ec7n “Italian Design Day\u00a0– Ng\u00e0y thi\u1ebft k\u1ebf \u00dd” l\u1ea7n th\u1ee9 4 s\u1ebd ch\u00ednh th\u1ee9c khai m\u1ea1c t\u1ea1i Vi\u1ec7t Nam. Ch\u1ee7 \u0111\u1ec1 c\u1ee7a s\u1ef1 ki\u1ec7n n\u0103m nay l\u00e0 “V\u1ebd n\u00ean t\u01b0\u01a1ng lai. Ph\u00e1t tri\u1ec3n, S\u00e1ng t\u1ea1o, B\u1ec1n v\u1eefng, V\u1ebb \u0111\u1eb9p”. K\u1ec3 t\u1eeb n\u0103m 2017, s\u00e1ng ki\u1ebfn “Italian Design Day\u00a0– Ng\u00e0y Thi\u1ebft k\u1ebf […]","protected":false},"author":1,"featured_media":0,"comment_status":"","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"tags":[],"class_list":["post-2082","post","type-post","status-publish","format-standard","hentry"],"_links":{"self":[{"href":"https:\/\/ambhanoi.esteri.it\/vi\/wp-json\/wp\/v2\/posts\/2082","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/ambhanoi.esteri.it\/vi\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ambhanoi.esteri.it\/vi\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ambhanoi.esteri.it\/vi\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ambhanoi.esteri.it\/vi\/wp-json\/wp\/v2\/comments?post=2082"}],"version-history":[{"count":0,"href":"https:\/\/ambhanoi.esteri.it\/vi\/wp-json\/wp\/v2\/posts\/2082\/revisions"}],"wp:attachment":[{"href":"https:\/\/ambhanoi.esteri.it\/vi\/wp-json\/wp\/v2\/media?parent=2082"}],"wp:term":[{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ambhanoi.esteri.it\/vi\/wp-json\/wp\/v2\/tags?post=2082"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}